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Sura When he burned it was a sacred flame, but it went out. Sura When he burned it was a sacred flame, but it went out. when he burns it, the holy flame becomes a smoke. The sun shows no light. the prophet then said to the people, o my people, what makes you so afraid of fire? if you only know that fire is a method by which we feed ourselves and that it is an instrument of judgment and if you only realize that I will be with you in your labor, that you will never be alone and if you only know that fire is only what it is, even a fuel, O my people, and the cloth is only what it is, even an inanimate cloth, and the clay is what it is, even a material without spirit, and if you only know these things, my people, you have only what is real before you, and your afflictions come to an end, and you are freed. When he said it, he felt it in his heart and felt he would be freed by it. When he said it, he felt it in his heart and felt he would be freed by it. Sura When he burned it was a sacred flame, but it went out. The sun shows no light. The prophet then said to the people, o my people, what makes you so afraid of fire? if you only know that fire is a method by which we feed ourselves and that it is an instrument of judgment and if you only realize that I will be with you in your labor, that you will never be alone and if you only know that fire is only what it is, even a fuel, O my people, and the cloth is only what it is, even an inanimate cloth, and the clay is what it is, even a material without spirit, and if you only know these things, my people, you have only what is real before you, and your afflictions come to an end, and you are freed. When he said it, he felt it in his heart and felt he would be freed by it. When he said it, he felt it in his heart and felt he would be freed by it. Sura When he burned it was a sacred flame, but it went out. Kb FreeBooks. Sura When he burned
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The body and work of the artist are inseparable. The artist has a well-documented tendency to link the work itself to his or her own “infantile” conditions and obsessions, in other words, to his or her personal psychology.
Throughout his art, the work appears as a tg comics free premium of a living organism, whose own life force drives the process. This becomes most evident in such recent works as Bodybuilder and the self-portrait in “The Face of the Man in the Black Tank-Top” (1971). Both works show a certain degree of transvestism, which in the latter also suggests the possible identification with the artist’s father. Here, the self-portrait in the black tank-top, caused by “skeletal” disfigurement, appears as a source of aggression and passive violence, which comes to a head in the
art of a small infant in the form of a mirror. He is turned inside out by the whirling writhing hands of the unknown artist, who appears as an equally “infantile” character in the self-portrait, a slight narcissistic projection on the figures of art history.
The barely recognizable body, with its arms, head and legs, does not reflect the artist’s own physical appearance. In appearance, this figure bears a certain resemblance to the artist’s father. The man in black tank-top, who is entirely oblivious to the acute symbolical event, enters into the artist’s subconscious, which clearly plays a vital role in his creative processes. The artist’s father embodies the artist’s own repressed wishes and frustrations.
It is characteristic of the artist that his figures are always present at the work by a mediating third party, which characterizes both the two paintings and is also an important element of the artist’s creative work. Whereas his own father was always present to the artist in the form of a repressed father figure, he is here represented by the man in black tank-top, who is both son and father in a sense.
Here, we can encounter in the artist’s work a reflection of the ongoing Oedipal struggle, which is apparently transferred to the father-son relationship in the artist’s psyche. This is all the more apparent when we look at the works from this period by means of retrospective concepts such as â€
