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* **Adobe Photoshop CS3 Course** (`www.photoshop.com/pro/course-products`). This 35-day course teaches the ins and outs of Photoshop.
* **Adobe Photoshop Lightroom Course** (`www.lightroom.adobe.com`). Adobe’s Lightroom helps you effortlessly organize, edit, and share photos in your library. This Lightroom tutorial on Photoshop shows you how to transfer images from Photoshop to Lightroom to make enhancing and printing your photos easier.

My first experience with Photoshop was in college where it was required to edit photos to enter competitions. My first attempts were rather horrific so I decided I’d make an effort to make some images better.

This is the first part of an ongoing series looking at the various pieces of software I use for creative work. Many of the software pieces that I use may not have any direct experience with the software. In that case, I generally learn about each tool by watching videos or reading articles about it. In those cases, I rely on the author of the article or video to explain the software.

Today, I will be looking at what can be described as the standard set of basic editing tools Photoshop uses. Photoshop was developed by Silicon Graphics and Adobe purchased the rights to use it around the early 1990’s. The first public release was in 1991. In the early days, it was a relatively slow software and wasn’t designed to take full advantage of the modern computing hardware available at the time.

Nowadays, Photoshop is the standard for editing images and Photoshop Elements is a cheaper alternative. Both Photoshop and Photoshop Elements have a different set of features compared to earlier versions, but the basic set is the same.

The first four tasks I’ll cover are very useful in almost every photo editing project. If you are completely new to Photoshop, these would be an excellent introduction.

Resize Images

The first item on my list of basic Photoshop tools is Resize images. A useful feature since the dimensions of a web image should be restricted to a minimum. A good resolution will display a good quality image. A bad resolution will introduce artifacts that are extremely distracting.

Opening the Resize Images tool is by selecting Image > Image Size… You may find it easier to access through the menu by pressing Alt + Ctrl + A.

It is one of the first tools you will want to learn. If you don’t resize images properly, the picture will look blurry, larger than necessary or small or are out of proportion.

The Resize tool is one of those tools that doesn’t have many options. There is a single slider and the ratio to use. The minimum size is 200 pixels by 200 pixels. The maximum size is 2048 pixels by 2048 pixels. As mentioned before, the choice of resolution is of utmost importance.

If the image is bigger than it should be, I usually use the Size option to set a fixed resolution. I then resize the image as much as I like with the
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The pyrrolizidine alkaloid-induced hepatotoxicity of Lolium rigidum and Lolium perenne in the rat.
Elevated levels of hepatic enzyme markers were observed in rats following the oral administration of the pyrrolizidine alkaloids pyrrolizidine (PA; 95% 1-hydroxymethyl-3,6-didehydro-1H-pyrrolizine) and taytusine (PA; 98% 1-hydroxymethyl-6,7-dehydro-1H-pyrrolizine) to rats. In vitro assessment of cytotoxic metabolites of PA in hepatocytes and proximal tubular cells revealed that the native tetramethyl tetrahydronorbornadiene (T1N) was relatively non-toxic, but the dehydrogenated products (tetrahydropyrans) were highly cytotoxic. Intraperitoneal administration of T1N or the tetrahydropyrans to male Sprague-Dawley rats at a dose of 200 mg kg(-1) failed to cause significant liver injury. However, treatment with 100 mg kg(-1) of T1N, 1,8-dihydroxymethyl-6,7-bis-O-methyl-3-oxo-3,4-dehydro-L-pyrrolizine or 3,4-dihydroxymethyl-6-O-methyl-1-hydroxymethyl-1,2,3-octaoxo-4,6-dihydro-L-pyrrolizine caused a dose-dependent increase in serum alanine aminotransferase (ALT) activity. Toxicity in animals fed L. rigidum also was observed at lower doses (25-100 mg kg(-1) body weight) when the alkaloid diet was administered prior to dosing with T1N, 1,8-dihydroxymethyl-6,7-bis-O-methyl-3-oxo-3,4-dehydro-L-pyrrolizine or 3,4-dihydroxymethyl-6-O-methyl-1-hydroxymethyl-1,2,3-octaoxo-4,6-dihydro-L-pyrrolizine. None of the

Image caption The painting “Vincent” (1920) is exhibited at the National Gallery in London

New research into the work of Vincent van Gogh has revealed a possible link to the Canadian painter Claude Monet, who went on to influence the London artist.

Dutch researchers have compared paintings by the pair, including Vincent van Gogh’s “The Red Vineyard” and Monet’s “Le Bord de Mer” in a study published in the Journal of Dutch History.

They suggest the similarities were in part due to the fact they were both working in the same place and had similar stylistic or technical approaches.

The study also suggest a British influence on Monet’s work.

Van Gogh and Monet first met in 1888, the year he arrived in Paris after working as a decorator in the Netherlands.

Le Bord de Mer was painted in the garden of Monet’s home at Giverny, in the Loire Valley, in 1890 and it has been described as the artist’s “masterpiece”.

After hearing that Monet was interested in different approaches to painting, van Gogh wrote a letter of thanks to him in which he expressed his pleasure at seeing his work, and admitted that he sometimes used photography to copy nature.

Image caption The painting “Le Bord de Mer” by Claude Monet was completed in 1890 in the garden at Giverny

The similarities between the paintings have been noted by critics before, most famously by the French art historian Michel Carrouges, who pointed them out in the 1960s.

Earlier this year, the two Dutch researchers examined the paintings to see if they had any links between them.

Bert Hoek, a Dutch scientist at the University of Amsterdam, said that, along with the similarities in their work, they had also identified similarities in the approaches they used.

Bert Hoek said: “One example that I think is significant is the colour of the water in Le Bord de Mer. The colour blue is used in the composition, but also in the painting of the lake.

“In The Red Vineyard, the little bridge across the river is also blue. It is interesting because it is very similar to the sky in Le Bord de Mer, especially the colour of the sky.”

Jeanine van Tiemburg, a Dutch art historian at the University of Amsterdam, said that she and colleague Bert Hoek had examined the themes in the works, as well as technical

Minimum:
OS: Windows 7, Windows 8.1, Windows 10
Processor: Intel Core 2 Duo 2.8 GHz
Memory: 4 GB
Graphics: 1024 MB ATI Radeon HD 3650/AMD HD 4000
DirectX: Version 9.0c
Network: Broadband Internet connection
Hard Drive: 30 GB available space
Sound Card: Integrated sound card.
Recommended:
Processor: Intel Core i5 3.2 GHz

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