Khosla Ka Ghosla 5 Full Movie In Hindi
Khosla Ka Ghosla 5 has a lot to give, besides its very strong lead performances, a good screenplay, strong characterisation, sensitive direction and a layered character-study that never lacks for guts.
He is a roaring lion in the capital, his mood swings like the India-Pakistan cricket series. Does he hate it? Do his team-mates love it? Does he hate his wife? Has it ever happened to you? Hindi films would surely sell more tickets if it were more like Aamir Khan and less like Shah Rukh Khan. As if that’s not bad enough, it is also a horribly misjudged film, if only the man who made it had listened a little more to scriptwriters and director. It tells the story of an overbearing cricket coach who caters to his team members (Shah Rukh Khan playing a cricket coach) and ignores the player’s opposite number (Ramgopal Varma as a cricket commentator), who yearns for some love and affection.
Keerthi Chawla debuted in 1995 with Mani Ratnam’s highly acclaimed Kadhalil Sodhappuvadhu Vanthai, playing a blind singer. This lead her to one of the first roles in Indian cinema, a female protagonist in a mainstream movie. After this, she was typecast as the princess, and couldn’t break out of that box. Keerthi Chawla, however, made the brave decision to leave that box and the most successful result of it is these new films.
I have never been to Pakistan. A cursory glance at it through the news reports seemed to me as if a small Asian country had been blown to smithereens by a US drone strike. There is no way I would willingly venture that far. That said, the movie represents the other side to the country. Kabir Khan has given us a fictional representation of the people of Pakistan. I am still intrigued by their lifestyle, religion and culture.
A gripping film, Kabul Express is directed by Kabir Khan, it has been scripted by Jaideep Sahni who has penned the screenplay for a few films till now (including Delhi-6), shot by Sangeeta Anand and it stars the veteran actor Anupam Kher, who plays Kamal Kishore Khosla, a Delhiite who is sent to Afghanistan to retrieve the plot of land that his family owns, which has been acquired by a developer (Boman Irani) who is on the run because of his various land thefts.
KKG (Khosla Ka Ghosla, the Hindi version of the film released a couple of years ago) is a ridiculously entertaining film which reminds me of the superlative Aamir Khan starrer, Lipstick Under My Burkha. It is funny, sad and a whole lot of other things, albeit having a lot of dark undertones and a dash of violence. KKG is not the only essential work by Dibakar Banerjee, it is best viewed as a collective effort, after all there are other Khosla Ka Ghoslas.
1. Love is in the air… Where is the love?Khosla Ka Ghosla is a romantic comedy wherein the touch of love in Khosla’s life is infested by divorce. But I doubt if romance has ever existed outside the pages of Bollywood novels. It is easier to find it in romantic movies than real life. We have no list of romantic movies in India. Other than the timeless classics, there are no love stories in my memory that make for a soothing cruise. I can list out two though, Deewar and Aashiqui, but this is so old fashioned that I have added the word ‘romantic’ to their names.
5. The concubine issue: We seem to be a society that has covered the meaning of ‘concubine’ with a veneer of righteousness. It is generally believed that wives, mothers and daughters cannot be concubines, which might be true, but guys do get hurt when their wives cheat on them. In India there is also the added motive of dowry as a tie-breaker when women want to escape from the clutches of the family man. A male friend once told me of how his wife looked at an other guy and giggled- turned out to be a stunt to get away from her husband. In most of the movies the characters try to marry the girl but ultimately fail -whether it is husbands, fathers, sons or brothers, all have a score to settle with the girl. The movie takes this into account and shows how a father pays for this mistake to avenge himself on the girl, her family or her brothers. The concubine is evil and ‘is just like a woman’…but she is not a woman and should not be treated as one. Whether the premise is an Indian one or not, the movie has something to say to all of us.
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