Ek Jaan Hain Hum Film Mp3 Song 18 HOT!
Ek Jaan Hain Hum Film Mp3 Song 18
Kamal Amrohi is a prolific lyricist and has penned some of the best and most moving songs. He is at home in all the genres; love, sad romance, humour, religious lyric, patriotic fervour, love for one’s country, a paean to patriotism and love for one’s country, and so on. ‘Jaane Koee?’is one of his finest works. Usha Uthup and Naushad sing it with special flourish. The lyrics are by Kaifi Azmi and there is a definite feeling of freedom and patriotism. Kamal Amrohi’s music is hauntingly elegant and at times, his compositions are his best works. The beginning of the song is sung in Raga Naiyay (Bengali Lakh) and is a mood building song. It is a sign of Amrohi’s mastery of variety. The Raga is both soothing and soulful in nature. A handful of semi-soft instruments are used in the composition. This song is the favourite of every Indian soldier. The song is sung with authenticity by Usha and Naushad; the opening is appealing as it initiates into the theme of the song. Usha embellishes the mood and she has the unique ability to sing this soulful song with special conviction. Her voice practically floats with ease and there is no break in the song. The clapping, on the other hand, conveys the kind of dedication and performance the soldiers had to give. The song ends on a high and it is the perfect conclusion to the album.
The arrangements are smooth and melodic. The tabla does not muddy the mood and the guitar and flute don’t disturb the mood either. Rafi sahab croons Tera Mere Sanam and Shafi plays Door Dharti Ka simultaneously. Love yourself, love yourself, love yourself, he sings with full confidence and assurance. Raaste the, raaste main, raaste na jaayenge, this groovy guitar and flute track. The song is the last song of the first half, and not something that needs to be witnessed again; something which Rafi could do justice to with his own style as well.
The stark, clean, powerful Katra was as brilliant as you have come to expect from Sahibjaans. Lataji is awesome in this song, with Ghulam Mohammmeds composition, Kaif Bhopali has created a powerful track that measures up well with the rest of the album. Its a song that even the most jaded music aficionados will look up to admire. And Shobhaji seems to have been inspired to sing even better in the first half of the song, then after that he seems to lose that fever.
The funniest song of the album is the one that gets you the most. Vajnavi is based on Bhopali, and comes with a very bright, fun, upbeat, jazzy beat. You can clearly hear Shobhaji preparing for the song, and before you know it he is singing. He hits the dayaas with such a ease, that you can hear the twinkle in his eyes. Ghulam Mohammmeds composition is ear pleasing and exactly as catchy, this could be one of those songs that you may still hum today. Sahibjaans have done their bit, the rest is with the audience.
Well, and this is the last track, and its a doozy. The title, even though the title sounds the utter opposite of the song, it conveys the strength of the sound, with Shobhaji retaining the Bhairavi in the first half of the song, and then switching to Khyal in the second half. There is not even a word thrown in on the breathless whistle, Shobhaji is shouting out loudly, with loud yet controlled energy, just like the song itself. Lataji has clearly been dropped a few kilos, she is more agile, to say that she is floating like a feather. There is not even a single run in this song. Listen to the Sahibjaan firmly capture the rhythm, you can almost hear him tapping his fingers, and stepping down, till the break, where he rocks it. You can see the grey in Lataji from the top of her head to the tips of her feet, that part feels as if it is moving, but to hear her make the Khyal that it does is bliss. The background instruments are background, the word Haa is echoed on the Sinawali, and Sahibjaan takes care of the dhaak and thumri of the Khyal, with the deepest of feeling and conviction.
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