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You can’t simply come up with an idea and throw a camera into the water, pull it out, and expect to have stunning images to show the world. If a photographer is going to capture the nature of an underwater scene, he’s going to have to spend time underwater to understand what he’s seeing.

Simon Lambert has chosen to dive for inspiration, but he has a fair amount of difficulty getting the results he wants without being traumatized by the things he sees.

For Lambert, it’s all about the lights.

He says a diver has to “dive with a kind of sympathy,” and that he “needs to know how the light will fall on [an area] so that they can arrange [the camera] position.” He says you have to find the balance between shooting with the subject looking at the camera and exposing for water and shadows.

Part of that means having a keen eye. He says to “find the best point of view for a scene,” and that to do this, you need to focus on something the subject can see. From there, he can take in the totality of the scene.

It’s a part of the photography he knows he’ll have to endure when shooting in the ocean. He says his first underwater photographs were a shock to him:

“It’s no good looking at a sea wall or a waterfall when you’re underwater, you get a head-on view of the whole scene,” he says.

As he spent more time underwater, he became better at negotiating some of the unfamiliar territory.

“You have to get used to the vastness of the scene, you can’t be fazed by it,” he

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White Shadows is an atmospheric puzzle-platformer with stunning visuals set in a post-apocalyptic world. The young protagonist, Ravengirl, is a free agent with a distinct destiny – on a quest to save her world.
In White Shadows, you play as Ravengirl, a young girl with gifts and innate abilities, forced to navigate a city where freedom has been defeated and subject to violence and subjection by the enemy. You will have to find ways to avoid the wrath of the oppressive war machines, leap across rickety infrastructure that bridges the cavernous darkness all around and avoid the eyes of guards ready to gun you down.
You can change Ravengirl’s gear to withstand and build upon the game’s various environmental hazards and obstacles. Collect and combine power-ups to overcome obstacles, pass through walls, pick up key items, unlock new levels and solve puzzles to find Ravengirl’s hidden destiny.

Content is available under CC BY-NC-SA 3.0 unless otherwise noted. Game content and materials are trademarks and copyrights of their respective publisher and its licensors. All rights reserved.
This site is a part of Curse, Inc. and is not affiliated with the game publisher.Q:

Define the shared response type in AFJSONRequestOperation

I am trying to make a REST call to a third party API that gives me a bool back and I have an AFJSONRequestOperation object. But it seems I can not define a response to return from this operation. Is there a way to set this response type?
Something like
AFJSONRequestOperation *operation = [AFJSONRequestOperation JSONRequestOperationWithRequest:request success:^(NSURLRequest *request, NSHTTPURLResponse *response, id JSON) {

//response dictionary is just here to visualize an array
NSLog(@”successful request”);
NSLog(@”Response code: %ld”, response.statusCode);
NSLog(@”Response message: %@”, response.statusMessage);
if (response.statusCode == 200) {
//response is a bool
// do something with the bool
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I have not played it (though I’d like to), but I read a review where the reviewer had no intention of finishing the game after playing the first few hours, just so that he could see what the game was about. There is no denying that Deep Sleep is a very serious game; it draws a lot of its atmosphere from its setting, and a lot of the gameplay mechanics from the tropes of classic horror and fantasy.

ReviewsThe Deep Sleep trilogy accomplishes much that so many paid and even big-budget games fail to achieve, its intensely foreboding atmosphere chief among them.Gold Plated GamesEverything is surreal and disorienting, thus perfectly capturing the dreamlike texture of the setting.Rock Paper ShotgunGameplay Deep Sleep Trilogy:

I have not played it (though I’d like to), but I read a review where the reviewer had no intention of finishing the game after playing the first few hours, just so that he could see what the game was about. There is no denying that Deep Sleep is a very serious game; it draws a lot of its atmosphere from its setting, and a lot of the gameplay mechanics from the tropes of classic horror and fantasy.

It is both tense and creepy. You spend an awful lot of time in the dark, and it has a pervasive atmosphere of dread and danger. It makes a lot of use of the ambient sound design as well. I highly recommend the Deep Sleep Trilogy for anyone interested in a bit of video game storytelling, it is very well done.

Gold Plated GamesEverything is surreal and disorienting, thus perfectly capturing the dreamlike texture of the setting.Rock Paper ShotgunGameplay Deep Sleep Trilogy:

I have not played it (though I’d like to), but I read a review where the reviewer had no intention of finishing the game after playing the first few hours, just so that he could see what the game was about. There is no denying that Deep Sleep is a very serious game; it draws a lot of its atmosphere from its setting, and a lot of the gameplay mechanics from the tropes of classic horror and fantasy.

It is both tense and creepy. You spend an awful lot of time in the dark, and it has a pervasive atmosphere of dread and danger. It makes a lot of use of the ambient sound design as well. I highly recommend the Deep Sleep Trilogy for anyone interested in a bit of video game storytelling, it is very well done.

It is both tense and creepy. You spend an